'Everything Will Be Okay' is the climax of what is overall an incredibly introspective album. I won't spoil it here but I will say that 'Everything Will Be Okay' is probably the album's single most breath-taking song. The memories he touches on are wildly different, but connected by the confessional nature of the song. G-Eazy said even his closest friends never knew about some of the things he talks about in the song. Kehlani's hook comes before the first verse and sets the tone - slow, big, reflective, sorrowful, yetВ uplifting. He wrote the song between the hours of 4 AM and 6 AM one night in the studio, which recalls that great quote, 'The dead of midnight is the noon of thought.' He's been teasing it concerts this summer. The penultimate track on the album is called 'Everything Will Be Okay.' It features Kehlani, and according to G-Eazy, it is the most personal record he's ever made. It contains the most personal song he's ever made So to recap, the list of producers right now is Gerald, Boi-1da, DJ Spinz, Southside, and some British dudes. This song is the only one on the album that could be characterized as a 'blapper.' It was produced by a couple British guys who working one room over in the studio one night andВ gave G-Eazy a thumb drive. 'I'm the coldest white rapper in the game since the one with the bleached hair,' he raps. Said G-Eazy of track #8, 'this shit is about to fuck up the radio in Cali especially.' He dropped the beat he swiveled around in his chair to face the boards, dropped the beat, and he was not lying. DJ Spinz (cut it uppp!!) got on there, as did Southside of 808 Mafia for a song called 'What If' that explores a multitude of 'what if?' scenarios.В 'What if bill Clinton had never got head?' he raps. Boi-1da brought his usual magic on 'Of All Things' feat. Presumably Gerald produced a few tracks himself. This list of producers is admittedly incomplete. 'Big Sean record goes hard as fuck,' I wrote in my notes. All three of these artists showed up big time, most notably Big Sean. Keyshia Cole (if you want to call her a big feature), Big Sean, and Chris Brown. Gerald recruited a young Australian lady named Grace to sing a hook (lot's of female hooks on the album) and Bebe Rexha lends her chocolate river of a voice to 'Me, Myself, & I,'В the album's lead single. Interestingly, aside from Too Short, all these artists appear on the last 5 songs. 'The features came in last second after all the meat and potatoes were in place,' he said, and he chose who to invite to appear on the album with care.Д«ay-wise, we have Too Short, E-40, Kehlani, and two up-and-coming singers, Marky Bassy and Quinn. Instead, Young Gerald opted for a tasteful salad of big features and small features while also keeping it true to the Bay. G-Eazy wisely avoided pulling a Troy Ave and seeking out the most popular names he could find to deliver guest features on his album. In the intro, he recites the same Dylan Thomas poem that Michael Caine recited in 'Interstellar.' вЂњDo not go gentle into that good nightвЂ¦В Rage, rage against the dying of the light.' He then jumps into the second song, which is called 'Random,' and like many songs on the album, it's a banger but with a darker feel, a dark intensity that indeed conjures up nighttime images. The soundtrack to G-Eazy's album trailer (watch below) is actually the first two songs on the album.

Grace), the darkness is present from the jump. Though the song that he felt best captured that horror vibe the best was track #9 (feat. Piano and foggy synths appear throughout the album and give it a cohesively dark sound. He explained that he wanted the album to sound like a soundtrack to a horror film and that he drew inspiration from the work of gothic specialist Tim Burton and horror auteur Wes Craven. 'I wanted it to feel like dark, cinematic vibe,' he said.

G-Eazy said that he wanted the album to be like a soundtrack to a horror film.

G eazy when its dark out jacket